Look Up Trending Now Good Connection: Uplifting stories for a digital age Creator Playbook Say More Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Switch Off Mashable Voices Mashable Selects Safety Net Versus Gift Ideas For Everyone On Your List All Series A major outage appears to have hit all of the big AI providers. ChatGPT, Claude, Gemini, and Grok all went down on Thursday. A major internet outage appears to have hit all of the major AI services on Thursday. Sign up for Mashable's weekly Light Speed newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy .

Say More Look Up Mashable's Best: E-readers, robovacs, laptops, earbuds, smart home and more Switch Off Creator Playbook Mashable Voices Trending Now Mashable Selects Safety Net Versus Gift Ideas For Everyone On Your List In My Bag All Series OpenClaw 2.0 is here: A Crowdsourced update to the AI agent is now live A major new version for the open source AI assistant platform OpenClaw is here. A new version of OpenClaw, the open-source AI agent, is available now. OpenClaw 2.0 was released over the weekend, promising a simpler setup and a new browser app. On its website, OpenClaw calls it by far the largest update in the history of OpenClaw. The OpenClaw Foundation says that OpenClaw 2.0 was completely crowdsourced with 933 contributors.

A complex privacy policy that handles EU users separately (for GDPR purposes), potentially shares user data with corporate, commercial, and research partners, but has a privacy-friendly app.

Chinese technology giant ByteDance has pledged to curb a controversial artificial intelligence (AI) video-making tool, following threats of legal action from Disney and complaints from other entertainment giants. In the last few days, videos made using the latest version of the app Seedance have proliferated online. Many have been lauded for their realism. Disney's lawyers accused ByteDance of committing a virtual smash-and-grab of their intellectual property, including superheroes from Marvel, Star Wars and various cartoons. On Monday ByteDance told the BBC that the company respects intellectual property rights and we have heard the concerns regarding Seedance 2.0.

AI rivals Anthropic and OpenAI have launched a war of ads trying to court corporate America during one of the biggest entertainment nights of the year. Ahead of the Super Bowl, Anthropic has launched a series of ads going hard at its rival. For the scrawny 23-year-old who wants a six-pack, a ripped older man who is supposed to depict a chatbot suggests insoles that "help short kings stand tall" because "confidence isn't just built in the gym". And for the man trying to improve communication with his mom: his therapist prescribes "a mature dating site that connects sensitive cubs with roaring cougars" in case he can't fix that relationship. From'nerdy' Gemini to'edgy' Grok: how developers are shaping AI behaviours All four ads end with the same tagline: "Ads are coming to AI. There's no explicit mention of ChatGPT, but the subtext is clear. But he also called the ads "so clearly dishonest" before diving into a lengthy critique on X . "Our most important principle for ads says that we won't do exactly this; we would obviously never run ads in the way Anthropic depicts them," Altman wrote. "We are not stupid and we know our users would reject that." Altman stressed that OpenAI's decision to include ads, announced last month, makes the product more accessible. "We believe everyone deserves to use AI and are committed to free access," he wrote. "Anthropic serves an expensive product to rich people.

Character.ai to ban teens from talking to its AI chatbots The platform, founded in 2021, is used by millions to talk to chatbots powered by artificial intelligence (AI). But it is facing several lawsuits in the US from parents, including one over the death of a teenager, with some branding it a clear and present danger to young people. Online safety campaigners have welcomed the move but said the feature should never have been available to children in the first place. Character.ai said it was making the changes after reports and feedback from regulators, safety experts, and parents, which have highlighted concerns about its chatbots' interactions with teens. Experts have previously warned the potential for AI chatbots to make things up, be overly-encouraging, and feign empathy can pose risks to young and vulnerable people.

I reflect on my experience creating two music albums centered on state-of-the-art prompt-based AI music generation platforms. The first album explicitly poses the question: What happens when I collide my junk mail with these platforms? The second album is a direct response to the first, and toys with the inability of state-of-the-art prompt-based AI music generation platforms to generate music that is not ``practiced'', ``polished'', and ``produced''. I seed a large language model (LLM) with information about these albums and have it interview me, which results in the exploration of several deeper questions: To what extent am I the author? Where am I in the resulting music? How is my musical identity changing as I am faced with machines that are in some ways far more talented than I? What new musical spaces does my work open, for me or anyone/thing else? I conclude by reflecting on my reflections, as well as LLM-mediated self-reflection as method.

"What counties [sic] do younger women like older white men," a public message from a user on Meta's AI platform says. "I need details, I'm 66 and single. I'm from Iowa and open to moving to a new country if I can find a younger woman." The chatbot responded enthusiastically: "You're looking for a fresh start and love in a new place. This is just one of many seemingly personal conversations that can be publicly viewed on Meta AI, a chatbot platform that doubles as a social feed and launched in April.

AI systems have increasingly become our gateways to the Internet. We argue that just as advertising has driven the monetization of web search and social media, so too will commercial incentives shape the content served by AI. Unlike traditional media, however, the outputs of these systems are dynamic, personalized, and lack clear provenance -- raising concerns for transparency and regulation. In this paper, we envision how commercial content could be delivered through generative AI-based systems. Based on the requirements of key stakeholders -- advertisers, consumers, and platforms -- we propose design principles for commercially-influenced AI systems. We then outline high-level strategies for end users to identify and mitigate commercial biases from model outputs. Finally, we conclude with open questions and a call to action towards these goals.

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